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tran quoc ha scritto:A random sampling of ones own music library will quickly confirm the variation in sound quality that exists among different music recordings. Apart from audible differences in dynamic range, spatial imagery, and noise and distortion, the spectral balance of recordings can vary dramatically in terms of their brightness and particularly, the quality and quantity of bass.
The magnitude of these differences suggests that something other than variations in artistic judgment and good taste is at the root cause of this problem.
The most likely culprits are the loudspeakers and rooms through which the recording were made.
While there are many excellent professional near-field monitors in the marketplace today, there are no industry guidelines or standards to ensure that they are used. The lack of meaningful, perceptually relevant loudspeaker specifications makes the excellent loudspeakers difficult to identify and separate from the truly mediocre ones.
To make matters worse, some misguided recording engineers monitor and tweak their recordings through low-fidelity loudspeakers thinking that this represents what the average consumer will hear.
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